Am currently working on a brief piece on Wilhelm Reich and UFOs for my upcoming Aleister Crowley and the Aeon of Horus. Not going to post any teaser extracts but I did feel it would be good to acknowledge Reich's inspiration for some mighty fine and diverse music.
His discovery of orgone energy and the devices he created to use it, the Accumulator and Cloudbuster would take him on a journey to a kind of mythic immortality worthy of a Greek tragedy involving death in prison.
His son's Peter's account of those indubitably strange days, A Book of Dreams, is a poignant haunting work that lay behind Kate Bush's Cloudbusting and Patti Smith's Birdland. It's a real shame it is currently out of print and only available at high prices.
I have posted Cloudbusting before with my crop circle piece on June 14th but I couldn't exactly leave it out here. Donald Sutherland doesn't look much like Reich but he has the gravitas to make it work. The video was filmed in the vicinity of the White Horse of Uffington which can be briefly seen at one point.
Patti Smith's Birdland from her debut album Horses is not a catchy little pop number. The subject is Peter Reich experiencing a vision of the return of his father in a flying saucer. It could be described as a tad intense. I have included the lyrics for anyone finding it hard to follow.
His father died and left him a little farm in New England.
All the long black funeral cars left the scene
And the boy was just standing there alone
Looking at the shiny red tractor
Him and his daddy used to sit inside
And circle the blue fields and grease the night.
It was if someone had spread butter on all the fine points of the stars
'Cause when he looked up they started to slip.
Then he put his head in the crux of his arm
And he started to drift, drift to the belly of a ship,
Let the ship slide open, and he went inside of it
And saw his daddy 'hind the control board streamin' beads of light,
He saw his daddy 'hind the control board,
And he was very different tonight
'Cause he was not human, he was not human.
And then the little boy's face lit up with such naked joy
That the sun burned around his lids and his eyes were like two suns,
White lids, white opals, seeing everything just a little bit too clearly
And he looked around and there was no black ship in sight,
No black funeral cars, nothing except for him the raven
And fell on his knees and looked up and cried out,
“No, daddy, don't leave me here alone,
Take me up, daddy, to the belly of your ship,
Let the ship slide open and I'll go inside of it
Where you're not human, you are not human.”
But nobody heard the boy's cry of alarm.
Nobody there 'cept for the birds around the New England farm
And they gathered in all directions, like roses they scattered
And they were like compass grass coming together into the head of a shaman bouquet
Slit in his nose and all the others went shooting
And he saw the lights of traffic beckoning like the hands of Blake
Grabbing at his cheeks, taking out his neck,
All his limbs, everything was twisted and he said,
“I won't give up, won't give up, don't let me give up,
I won't give up, come here, let me go up fast,
Take me up quick, take me up, up to the belly of a ship
And the ship slides open and I go inside of it where I am not human.”
I am helium raven and this movie is mine,
So he cried out as he stretched the sky,
Pushing it all out like latex cartoon, am I all alone in this generation?
We'll just be dreaming of animation night and day
And won't let up, won't let up and I see them coming in,
Oh, I couldn't hear them before, but I hear 'em now,
It's a radar scope in all silver and all platinum lights
Moving in like black ships, they were moving in, streams of them,
And he put up his hands and he said, “It's me, it's me,
I'll give you my eyes, take me up, oh now please take me up,
I'm helium raven waitin' for you, please take me up,
Don't leave me here!”
The son, the sign, the cross,
Like the shape of a tortured woman, the true shape of a tortured woman,
The mother standing in the doorway letting her sons
No longer presidents but prophets
They're all dreaming they're gonna bear the prophet,
He's gonna run through the fields dreaming in animation
It's all gonna split his skull
It's gonna come out like a black bouquet shining
Like a fist that's gonna shoot them up
Like light, like Mohammed Boxer
Take them up up up up up up
Oh, let's go up, up, take me up, I'll go up,
I'm going up, I'm going up
Take me up, I'm going up, I'll go up there
Go up go up go up go up up up up up up up
Up, up to the belly of a ship.
Let the ship slide open and we'll go inside of it
Where we are not human, we're not human.
Well, there was sand, there were tiles,
The sun had melted the sand and it coagulated
Like a river of glass
When it hardened he looked at the surface
He saw his face
And where there were eyes were just two white opals, two white opals,
Where there were eyes there were just two white opals
And he looked up and the rays shot
And he saw raven comin' in
And he crawled on his back and he went up
Up up up up up up
Sha da do wop, da shaman do way, sha da do wop, da shaman do way,
Sha da do wop, da shaman do way, sha da do wop, da shaman do way,
Sha da do wop, da shaman do way,
We like birdland.
[Copyright © 1975 Linda Music Corp.]
Finally, I salute the fortieth anniversary of the mighty Hawkwind with Orgone Accumulator from their finest moment, the live Space Ritual.
Before he died in prison, Reich endured the knowledge that several tons of his written work had been burnt in a public incinerator in New York and many of his orgone devices destroyed. This was indeed a disgraceful fate to befall a man who had fled Nazi Germany and journeyed to the land of the free full of idealistic hopes for the future of his work.
