tag:blogger.com,1999:blog-81523760173540080162024-03-14T10:28:41.162+00:00Avalonian Aeon PublicationsNews and articles relating to the work of Glastonbury-based author Paul Weston.Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.comBlogger193125tag:blogger.com,1999:blog-8152376017354008016.post-26400624533884675122021-04-13T09:35:00.000+01:002021-04-13T09:35:33.806+01:00Aleister Crowley: Beyond the Legend of Infamy<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLuYmqbUQ2X1T3W5E-7nwEI95Pna_CySgj1f2mPc2c0Zr1YBV7qskBBx5keU4vBjOZZsh6bN1aaehldphgCC7_eQNEjXiDCsoWQi47LXKRUA2kFscbxCiKboFLzTjNkou4B5v45u8KqgI/s1600-h/LKCrowley.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 261px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLuYmqbUQ2X1T3W5E-7nwEI95Pna_CySgj1f2mPc2c0Zr1YBV7qskBBx5keU4vBjOZZsh6bN1aaehldphgCC7_eQNEjXiDCsoWQi47LXKRUA2kFscbxCiKboFLzTjNkou4B5v45u8KqgI/s400/LKCrowley.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5391780755419276194" /></a>
<em>Leon Kennedy's portrait.</em>
This post originally published in 2009 as part of advance publicity for my <i>Aleister Crowley and the Aeon of Horus.</i>
I am posting part of the introductory sections from my upcoming <em>Aleister Crowley and the Aeon of Horus </em>in greater detail than previously available. Although it serves as a scene setter (and hopefully appetite wetter here), I think the piece works on its own as an initial defence of Crowley against his critics and indicator of what an extraordinary and fascinating man he was.
<strong>THE ENIGMA: BEYOND THE LEGEND OF INFAMY</strong>
<em>“What Einstein did for physics and Joyce for the novel (and Picasso for painting, and Pound for poetry, and Wright for architecture), Crowley did for the mystic tradition.” </em>
Robert Anton Wilson. Introduction to Israel Regardie <em>The Eye in the Triangle</em>.
I believe that Aleister Crowley was the most comprehensive prophet of the twentieth century in all of its diverse, ecstatic, terrifying glory. There are immediate problems in trying to understand why that might be the case.
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Crowley has accrued around himself a remarkable legend of infamy. In the nineteen-twenties, during his lifetime, the British press described him as the <em>“wickedest man in the world.” “A man we’d like to hang.” </em>Here was the King of Depravity. A bisexual drug addict who practised the worst forms of black magic. Since his death the reputation has expanded still further until it’s easy to find accounts describing him as a practitioner of human sacrifice.
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One particular quote seems to represent the hardcore of the legend of infamy. It’s in Crowley’s 1928 book <em>Magick</em>, from a chapter entitled <em>“On the Bloody Sacrifice.” “For the highest spiritual working one must accordingly choose that victim which contains the greatest and purest force. A male child of perfect innocence and high intelligence is the most satisfactory and suitable victim.” </em>In a footnote Crowley then says <em>“he made this particular sacrifice on an average about 150 times a year between 1912 and 1928.” </em>The quote is thrown up again and again in exposes by Christian authors and even allegedly serious occult writers. The very last sentence of Crowley’s <em>“Bloody Sacrifice”</em> chapter says <em>“you are likely to get into trouble over this chapter unless you truly comprehend its meaning.”</em>
So let’s think about this one. We’re being asked to take this passage as evidence that Crowley murdered 150 children a year from 1912 to 1928. That’s 2,550 of them. This would make him unique in the annals of crime. It’s strange how he got away with it really. Rather odd that we have no record of any of the victims. No witnesses. No evidence. Although expelled from some countries and refused entry to others, he was never arrested for any offence, let alone served a jail sentence. Some of his books were banned, even burned as pornographic. He lost a libel action in Court. The little matter of those 2,550 child murders seems to have been ignored.
Perhaps there’s another explanation. Crowley was a great jester and a man who loved to write in code. He put cryptic meanings into his books that only those with a certain commitment to the subject would be able to understand. Although he didn’t mind being upfront and shocking in some of his poems, <em>Magick</em> was a serious work which he hoped to see remain in print and reach a wide audience. By 1928 he’d seen himself condemned in the kind of cultural climate that was making works like James Joyce’s <em>Ulysses</em> and D.H. Lawrence’s <em>Lady Chatterley’s Lover </em>unavailable through their use of material related to sex. Crowley’s magickal practices involved sex. The <em>“male child of perfect innocence and high intelligence” </em>was his sperm. It’s as simple as that. The “Scarlet Woman” of Crowley’s magick and the mysteries of the “bloody sacrifice” appear, amongst other things, to be connected to menstruation and a whole secret tradition surrounding that.
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As a human being he had many failings which rendered him sometimes a sad tragic figure and often showed him as reprehensible in his relationships. He inherited a fortune that would be valued in the millions today and was able to live a superb romantic life for over a decade. A complete lack of functional intelligence, which he readily admitted to, meant that he entirely squandered his resources and was reduced to becoming in effect a ruthless beggar who thought nothing of wasting the generous gifts of friends on high living whilst those close to him starved. And he did suffer himself. Two of his young children died. The loss of his fortune and the lack of commercial success and acclaim of his literary work, along with the unprecedented vilification in the press and his prolonged slide into a wretched heroin addiction with an attendant long-term weakening of his general health, was assuredly a major test of his gigantic egotism. Through all this nonetheless, he did demonstrate a stoic determination to disseminate his ideas and this never failed him even in his last frail days in a Hastings boarding house.
Yes he did, here and there in rituals during his career, kill an animal, and I personally don’t approve of that.
He didn’t however, as another persistent story states, kill his “occult son,” named Macaleister. The tale is that, at some point in the nineteen-twenties, Crowley had a “magickal” son who he had named Macaleister. The two of them performed a ceremony to raise Pan. Something went horribly wrong and Macaleister was found dead the next morning. Crowley, reduced to the level of a naked, gibbering idiot, ended up in an asylum in Paris.
I first came upon this tale in an introduction by Dennis Wheatley to an edition of Crowley’s novel <em>Moonchild</em>. The story gets retold in many shallow surveys of the occult and variations of it continue to circulate and expand. It may seem strange that this dramatic episode is absent from the works of his principal biographers. Surely the hostile John Symonds could have created a damning chapter out of such lurid material? Basically the whole story is a complete fabrication. Macaleister never even existed.
It has often been suggested that, towards the end of his career, he was perhaps insane, at least senile, and basically a spent force. The fact that he was undeniably dependent again on heroin during his later years is usually taken to imply a complete decline. In reply to this I would simply suggest taking a long hard look at the work he produced during that time. <em>The Book of Thoth </em>remains to this day perhaps the greatest of all Tarot decks. It’s creation involved six years of work with artist Lady Freda Harris. That represents a tremendous amount of application.
It does rather seem that the legend of infamy may be some kind of smokescreen of nonsense. What lies behind it?
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Crowley was a poet hailed in numerous literary journals as a genius. His work was included in the Oxford Book of Mystical Verse but he was also responsible for what has been considered to be some of the vilest pornography in the English language.
Crowley has also been considered to be either a monstrous degenerate or pioneer of sexual freedom for the endless lovers, both female and male, that he had throughout his life.
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At one time he held some of the world mountaineering records having climbed higher in the Himalayas than anyone else.
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He played chess to a standard approaching that of a Grand Master and was able to simultaneously manage two games whilst blindfolded, thus displaying extraordinary abilities of visualisation and concentration.
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Crowley was one of the first westerners to immerse themselves in the study of eastern religion, having travelled extensively in Arab countries, India, and China. Beyond the studies of the many translators of the time, in the first decade of the twentieth century, he practiced physical and mental yoga with great dedication. Many works that later became famous in the West were familiar to him such as the <em>I Ching, Tao Te Ching, Bhagavad Gita, Dhammapada </em>and Patanjali’s <em>Yoga Sutras</em>.
He was the first person of any note in the West to systematically experiment with the full range of consciousness expanding drugs ie, cannabis, mescaline, ether, cocaine and heroin. For better or for worse, the psychedelic revolution of the sixties was inspired more by him than anyone else.
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First and foremost though, Crowley comes down to us as the magician. A member of the most famous occult group of the nineteenth century, the Hermetic Order of the Golden Dawn, he went from there to believe he had received in 1904 a communication from a non-human entity, an angel for want of better terminology, who dictated to him a scripture for a new age or Aeon. This work was <em>The Book of the Law </em>and it contains the phrase which is most strongly associated with him, <em>“Do what thou wilt shall be the whole of the Law.” </em>He came to refer to himself as the Great Beast 666 thus guaranteeing the horror and hostility of many Christians. What did he really mean by this?
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<em>Photo of the Stele of Revealing taken in 1997 by Andrew Collins</em>
We find in the book things that seem to be fascinatingly prophetic of the Nazi era and the psychedelic sixties. There are also early indications of themes later to become increasingly visible in New Age and pagan circles; the return of the goddess and the deities of Egypt.
A case can be made for Crowley’s influence in the mid-twentieth century rebirth of witchcraft that has proved to be a crucial aspect of the ever-expanding general pagan revival.
One of the most distinctive oddities of the years since the Second World War has been the UFO phenomenon and the culture that has arisen around it. Here again, remarkably enough, his presence can be discerned.
His influence can be seen in the life of a military theorist who inspired the Nazis, a rocket scientist who had a moon crater named after him, the founder of the most controversial and powerful recent new religion, and the psychedelic psychologist who helped turn on the sixties flower children.
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This was one man. And this is the enigma of Aleister Crowley. Picture the effeminate homosexual side of Crowley and Crowley the pornographer. Can we then see this man 22,000 feet up the Himalayas without oxygen? Can we see the junkie likewise? Could we picture Quentin Crisp or Sid Vicious in that context? As Thelemic writer Gerald Suster clearly stated in <em>The Legacy of the Beast, “debauched degenerates don’t set world mountaineering records.”</em> Contrariwise, how about Chris Bonnington? Can we see him returning from an Everest trip to write a book of mystical or pornographic verse and proclaiming himself to be Logos of the Aeon of Horus? When, on one occasion, Crowley was camped out on a glacier, he insisted on packing with his climbing equipment leather-bound editions of the great poets. He would retire to his tent to drink champagne and write his own epics. What about some of our recent esteemed poets such as John Betjeman or Philip Larkin? Can we imagine them performing a magical ceremony in the Great Pyramid or rites of sex magick with prostitutes or taking psychedelic drugs? As for yoga, can we imagine some of the sweetness and light types who get attracted to it composing poems such as <em>On the Delights of Passive Pederasty</em>, and <em>Of Dog and Dame</em>, or going big-game hunting?
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This indeed is the enigma of Aleister Crowley. We all have different facets to ourselves but in Crowley they are written large. Very large. Any one of his different aspects would serve most people for a life’s work. How can we get to the essence of the man?
Most piccies and Crowley quotes copyright OTO.
Colourised image David Bersson.
Leon Kennedy painting National Portrait Gallery.
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv2dOwjHkYXUQk61E98OWOoTvkrOjOGbzlFVXY0GIxrIk89vQR_V6s1zcY37YiALhkpzWViDLmrhZBPvY88nUfT99jsAoRWH1rh7GqSpK2qMnJvLFSiUqDPfcfXvq28-TEbJCIH98F1z4/s1600-h/Crowley+Cover+NEW+web.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 283px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgv2dOwjHkYXUQk61E98OWOoTvkrOjOGbzlFVXY0GIxrIk89vQR_V6s1zcY37YiALhkpzWViDLmrhZBPvY88nUfT99jsAoRWH1rh7GqSpK2qMnJvLFSiUqDPfcfXvq28-TEbJCIH98F1z4/s400/Crowley+Cover+NEW+web.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5391783254805662402" /></a>
<em>Love is the Law.</em>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc3JoE_Fahf-cY7LDdhjnEYFmIFzeueQZ5DrK8EFiC4d-tr0dG3uqu76HHgJ1fTV5PiHkQs8duP2U0Gsw9w39dU5LDvAT3Az2l4_dABNZwvLxzMy0pnziYue4Ag9s5PL26FU8Q8A6OMvw/s1600-h/silence.gif"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 118px; height: 400px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc3JoE_Fahf-cY7LDdhjnEYFmIFzeueQZ5DrK8EFiC4d-tr0dG3uqu76HHgJ1fTV5PiHkQs8duP2U0Gsw9w39dU5LDvAT3Az2l4_dABNZwvLxzMy0pnziYue4Ag9s5PL26FU8Q8A6OMvw/s400/silence.gif" border="0" alt=""id="BLOGGER_PHOTO_ID_5391786305504708578" /></a>Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com3tag:blogger.com,1999:blog-8152376017354008016.post-62742817171429477872020-08-24T13:47:00.002+01:002020-08-24T13:47:39.483+01:00From USA Nazi UFOlogy to QAnon podcast video<p> </p><div class="separator" style="clear: both; text-align: center;"><!--[if gte mso 9]><xml>
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<p class="MsoNormal" style="text-align: left;">Here’s a wide-ranging discussion with Steven Snider of <i>The
Farm</i> podcast that starts with material from my <i>Aleister Crowley and the Aeon of
Horus,</i> concerning William Dudley Pelley, Silver Shirts, George Hunt Williamson,
and Sirius. Spirals out to take in Alice Bailey, ancient astronauts, Wandering
Bishops, Allen Greenfield, the Nag Hammadi plasmate, The Nine, Uri Geller,
Andrija Puharich, Arthur Young, eventually leading in to Millennialism,
Extinction Rebellion and QAnon.</p>
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</p><p class="MsoNormal">The global lockdown <span style="mso-spacerun: yes;"> </span>has led to a massively intensified online
connectivity between people through Zoom and Skype. I have found it most
notable and strange to have had greater quality interaction and reached more
people whilst in physical solitude than when out giving lectures and meeting up
in person. </p>
<p class="MsoNormal">The best example for me involved a complex chain of
associations that began when American astrologer Aeolian Heart wrote a post
concerning the Liverpool dream of CG Jung. I contacted her and a live
synchronicity scenario rapidly unfolded that <span style="mso-spacerun: yes;"> </span>took in the story of the KLF, and Daisy Eris
Campbell leading the Cosmic Trigger crew on a wild journey from Liverpool, via
Cerne Abbas and the Large Hadron Collider, to Bollingen, and demonstrated the
remarkable time-release voltage present in Jung’s little-known 1939 West
Country jaunt. So here is all that, the Beatles, Illuminatus, a brief intrusion
from Charles Manson, Abraxas in Glastonbury Abbey, and plenty more.</p>
Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-68012846712903048252020-06-16T09:49:00.001+01:002020-06-16T09:49:25.684+01:00Aeolian Heart History and Myth Interview<div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-7cVSGSoMNdaeDqlVAKk4b41w85diNFDUH2pMxj5Lq2NfPAXyM8fy_kkiBdqNfkup7mU9bjAHixWpTF4L9V9PuBcGmrq4DrbfLqgFxba10QpgHu6CpQqLkwq_yjQ6jpizEM_IkXSt0Go/s2480/History+and+Myth+COVER+vis3+SemiBold.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="2480" data-original-width="1748" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg-7cVSGSoMNdaeDqlVAKk4b41w85diNFDUH2pMxj5Lq2NfPAXyM8fy_kkiBdqNfkup7mU9bjAHixWpTF4L9V9PuBcGmrq4DrbfLqgFxba10QpgHu6CpQqLkwq_yjQ6jpizEM_IkXSt0Go/s320/History+and+Myth+COVER+vis3+SemiBold.jpg" /></a></div><b><br /></b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><b><br /></b></div><div style="text-align: center;"><b><a href="http://aeolianheart.com/2020/06/14/episode-09-history-myth-and-magic-with-paul-weston/?fbclid=IwAR1POY5qEZTFz8GUF8R79gHBizKbOC95aQtkR2CkWVYvfy3lAZGSQz7FYRo">Aeolian Heart History and Myth Interview</a></b><br /></div><div><br /></div><div><br /></div><div>
<p class="MsoNormal"><span style="font-family: "times new roman", "serif"; font-size: 12pt; line-height: 115%;">I’ve long been a fan of American astrologer Aeolian
Heart. I love the blend she presents whereby the nuances of an astrological
event are drawn out via an analysis of a rock song by the likes of Jim Morrison,
a poem from the Romantic era by Shelley or Blake perhaps, or some aspect of
Renaissance Hermeticism. I welcomed the opportunity to talk about my <i style="mso-bidi-font-style: normal;">History and Myth</i> book, which strongly
features the Saturn and Pluto in Capricorn conjunctions as part of its
meta-structure. We talk history mysticism and cycles, all sorts. I’m really
happy with the end result and hope you might enjoy listening as well.</span></p>
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<![endif]--></div>Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-12044525455154616822020-06-06T13:58:00.000+01:002020-06-06T13:58:00.321+01:00My Magical Thing Interview with Julian Vayne.<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/u8x8WOpAjnU/0.jpg" src="https://www.youtube.com/embed/u8x8WOpAjnU?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />
<br />
<br />
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">The Julian Vayne <i style="mso-bidi-font-style: normal;">My
Magical Thing</i> series of video interviews features people who can be
considered to be occult practitioners of some kind talking briefly about an
item they possess that has an interesting story. I realised I had an opportunity
to air a wild and wacky tale involving a figurine of the Egyptian cat goddess
Bast. I contacted Julian and was pleased that he was happy to feature me.<span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Readers of my <i style="mso-bidi-font-style: normal;">Atargatis</i>
would know that I embarked on a psychic questing adventure along the River Thames
in 1991 but mention that some details were excluded, primarily for reasons of
space and pace in relation to the wider story. This little tale dates from the
beginnings of that story.<span style="mso-spacerun: yes;"> </span>It was
featured in my very first Glastonbury lecture, <i style="mso-bidi-font-style: normal;">The Goddess and the River Thames</i>, almost 25 years ago in July 1995.
I did repeat the lecture a few times and it was taped by the <i style="mso-bidi-font-style: normal;">Isle of Avalon Foundation</i> in the
mid-nineties but, since then, the Bast story has not featured in any of my
books, or podcast interviews. Some of it was briefly mentioned in my YouTube lecture
<i style="mso-bidi-font-style: normal;">When Magic and Fiction Meet</i>. This is
the fullest version currently available. It’s a great example of the extent to
which extreme strangeness became part of my everyday life then.</span></div>
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<![endif]-->Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-68280427796938151832020-06-06T09:52:00.003+01:002020-06-06T09:52:57.135+01:00History and Myth Podcast Interview<div class="separator" style="clear: both; text-align: center;">
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Nice to have been talking to Amanda Bradley of Mystic Waldorf
in New Zealand about my new book during the time of the full moon and eclipse.
It's inevitable in doing this round of promo interviews that I will repeat
myself but I'm trying to bring something a bit different into each one,
depending on who I'm talking to. I do also go a little beyond what is included
in the book.</div>
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<![endif]-->Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-51053484733062955032020-06-03T22:48:00.001+01:002020-06-03T22:48:47.531+01:00Glastonia Aegyptiacus now available in UK paperback.<div class="separator" style="clear: both; text-align: center;">
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<b><a href="https://www.amazon.co.uk/gp/product/1838002715/ref=dbs_a_def_rwt_bibl_vppi_i16" target="_blank">Buy the paperback book on Amazon UK</a></b></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">It’s the 25th anniversary of me moving to Glastonbury
today, so very nice that this arrived. Previously only available in Kindle
format, now in paperback in UK. 114 pages.</span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">The extraordinary 80s adventures of Andrew Collins
in the Glastonbury Star Temple that led to his investigation of the Giza
plateau have been featured in my books before, particularly <i style="mso-bidi-font-style: normal;">Avalonian Aeon</i>. There was so much
material in that book that I sometimes felt that it would be good to isolate
this classic psychic questing material and let it stand on its own. So here is
the directors’ cut. Everything that was in <i style="mso-bidi-font-style: normal;">Avalonian
Aeon</i> is here again along with material originally left out for reasons of
space.<span style="mso-spacerun: yes;"> </span>There are also new details. Most
notable is the inclusion of a visualisation often used by Andy that came from
the Giza visions of legendary psychic Bernard G of what he called the Crystal
Chambers that lay beneath the ground.<span style="mso-spacerun: yes;">
</span>And it’s great to feature artwork by Bernard from that time on the
cover. This remains for me the greatest magical mystical story I’ve ever heard.
It blew my mind to pieces when I first learned about it from Andy in 1988 and going
back over it I was glad to see it still felt the same.<span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;"><span style="mso-spacerun: yes;"> </span><span style="mso-spacerun: yes;"> </span></span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Starting with the medieval Essex mystery of the
Knights of Danbury, an expansive odyssey leads to the Glastonbury Star Temple,
a secret Knights Templar ceremony, Black Alchemy, and a Hermetic blend that
reveals the Morphogenesis pattern and process understood and used by a lost
culture before the pyramids.<span style="mso-spacerun: yes;"> </span>Here is the
epic psychic quest at the root of Andrew Collins later work and the initial
inspiration for his investigation of ancient hybrid strains of humanity.</span></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">This release is timed to resonate with the 35th
anniversary of the climax of the narrative, the 30th anniversary of my own
involvement with this material as told in <i style="mso-bidi-font-style: normal;">Avalonian
Aeon</i>, and the 10th anniversary of that books publication. </span></div>
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Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-76951118160898876312020-05-16T13:53:00.001+01:002020-05-16T13:53:26.145+01:00Rune Soup Book Launch<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/igdWeV05_VQ/0.jpg" src="https://www.youtube.com/embed/igdWeV05_VQ?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />
<br />
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My latest book was undoubtedly kick-started by my previous
appearance on <i>Rune Soup</i> in Dec 2019. Very satisfying to effectively launch it
from there now. Talked with Gordon yesterday, the 15th, 6 months on from the
anniv of the Tor death of Abbot Whiting, the time when Boris was in the area
and my brain went into overdrive. It's a satisfying cycle. And with the arrival
of the book, all kinds of further weirdness has occurred featuring Jung and
Robert Anton Wilson. I talk about it all here.</div>
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<![endif]-->Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-44841876487136534452020-05-12T16:21:00.001+01:002020-05-15T13:39:50.136+01:00History and Myth now available<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWKjRK0RdS1c5LzsDW1In2d6avsaqM4L35qzxnK4XX0_PDSv03_294Hs6tWIbBynNejUuMPComW5m11OOBKxE6s_WmjVYx2K9gdchw6OqAWDNdkZq5vU0YEruqZDgClZa6BZMitMrLhF0/s1600/History+and+Myth+COVER+vis3+SemiBold.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1129" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWKjRK0RdS1c5LzsDW1In2d6avsaqM4L35qzxnK4XX0_PDSv03_294Hs6tWIbBynNejUuMPComW5m11OOBKxE6s_WmjVYx2K9gdchw6OqAWDNdkZq5vU0YEruqZDgClZa6BZMitMrLhF0/s400/History+and+Myth+COVER+vis3+SemiBold.jpg" width="281" /></a></div>
<br />
<br />
<br />
<h3 style="text-align: center;">
<b><a href="https://www.amazon.co.uk/gp/product/1838002707/ref=dbs_a_def_rwt_bibl_vppi_i14?fbclid=IwAR0F1gVhsZxsSacbuVYRTFCBkCNmx0IDIANdTqNY6-Iae5XGdcvI0D5jCEw" target="_blank">Buy the Book on Amazon UK</a></b> </h3>
<div style="text-align: center;">
<b>169 pages. £12.99 </b><br />
<br />
<br />
<h3>
<a href="https://www.amazon.co.uk/dp/B088JPSFXB/ref=sr_1_2?dchild=1&keywords=paul+weston+history+and+myth&qid=1589357664&s=books&sr=1-2&fbclid=IwAR3HLFXR1mr1xIkyVhRMgg7y9-S0vDkbfr5DdckwVSCrCBfzzgPXjUlAnWQ" target="_blank">Buy the Book on Kindle</a> </h3>
<span style="font-weight: normal;">(There's a good Look Inside sample there) </span></div>
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My new book is now available. The timing is very satisfying. It was 6 months ago this week
that BoJo visited Wells on the exact anniversary of Glastonbury Abbey's Abbot Whiting’s trial there and my
brain went into a Henry VIII comparison.<span style="mso-spacerun: yes;">
</span>The resulting brainstorm was seemingly finished twice before the
eventual ending. I have 2 sections written during the lockdown and reflective
of the Glastonbury depths stirred by this strange times. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
From the back cover:</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
</div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">HISTORY AND MYTH</span></i><i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , "serif"; font-size: 9.0pt;"></span></i></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">The writings of
historians reflect the trends of the times in which they were written. This in
turn can make a difference to how a society understands itself and the events
it experiences and the responses it makes to them.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Here is a Glastonbury-centred
consideration of history from the perspectives of Arnold Toynbee and Titus
Livius, of mystical experiences, cycles, portents, and of astrology.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Includes:</span></i></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">The Oddity of
British Prime Ministers.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">The Great
Conjunction Cycle 1284-1518-2020: </span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Capricorn Pan,
Cronos Saturn, Pluto Hades.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Glastonbury
Abbey.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Henry VIII,
William Rufus, Edward I, Edward III, Richard III.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Richard Whiting,
St Dunstan, Frederick Bligh Bond.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Joseph of
Arimathea King Arthur, Virgin Mary, the Holy Grail.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Lord of Misrule,
the Fisher King.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">The Pursuit of
the Millennium and Extinction Rebellion.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Book of
Revelation template, Romance of the Golden Age,</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span>Age of the Holy Spirit.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Dissolution of
the Monasteries, Pilgrimage of Grace, Peasant’s Revolt,</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span>Anabaptist Munster Rebellion, Gordon Riots,
Brexit.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Glastonbury
Plague Diary.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">The Victoria
Park Lughnasadh 2012 Olympic Caper:</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;"><span style="mso-spacerun: yes;"> </span>a Psychogeographical Feast.</span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<br /></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Featuring:</span></i></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Boris Johnson,
Jan Bockelson, William Blake, James Joyce, </span></div>
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<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Joachim of
Fiore, Frances Yates, Marsilio Ficino, Margaret Murray, </span></div>
<div align="center" class="MsoNoSpacing" style="text-align: center;">
<span style="font-family: "times new roman" , "serif"; font-size: 12.0pt;">Albrecht Durer,
Scipio Aemelianus, Marguerite Porete.</span></div>
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<h3 style="text-align: center;">
<b><a href="https://www.amazon.co.uk/gp/product/1838002707/ref=dbs_a_def_rwt_bibl_vppi_i14?fbclid=IwAR0F1gVhsZxsSacbuVYRTFCBkCNmx0IDIANdTqNY6-Iae5XGdcvI0D5jCEw" target="_blank">Buy the Book on Amazon UK</a> </b></h3>
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Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-37243980673982301142020-03-16T19:04:00.001+00:002020-03-16T19:04:31.725+00:00UFOlogical Interview with Zelia Edgar on Just Another Tin Foil Hat<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
Great to have a UFOlogical chat with Zelia Edgar of J<em>ust Another Tin Foil Hat. </em>We covered the psychic questing roots with the 1974 Aveley abduction and 1976 Sunderland family case that feature in my <em>Avalonian Aeon</em> and <em>Atargatis</em>.
and expanded out from there. I felt nostalgic recalling how I got into
the work of John Keel and Jacques Vallee when I was in my twenties and
it’s very encouraging to see people like Zelia enthusiastically
devouring the classic works and pondering the high strangeness
conundrums.<br />
<br />
<div style="text-align: center;">
<b><a href="https://paranormalukradio.podbean.com/e/just-another-tin-foil-hat-paul-weston/?fbclid=IwAR1VnH_otMLtyGxgy7Ofk3WJO8vOTeyo69Gg4jNAiKJVbOW7ubYF0zt_h3A" target="_blank">Just Another Tin Foil Hat Paul Weston </a> </b></div>
Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-29195681500052454502020-02-11T10:00:00.001+00:002020-02-11T10:00:51.452+00:00Dion Fortune podcast inteview video<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/4jtqhiTFqmg/0.jpg" src="https://www.youtube.com/embed/4jtqhiTFqmg?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />
<br />
My book <em>The Occult Battle of Britain </em>was delivered to my home a year ago today. It’s excellent to note the symmetry of this video being posted in synch with that.<br />
<br />
In the hours leading in the time of the full moon over the last
weekend I had the chance to chat across the airwaves/ethers from
Glastonbury to Steiner enthusiast Amanda Bradley in New Zealand.<br />
<br />
We discussed the life and work of Dion Fortune. I lingered awhile on
the big events of 1940 and how I made my own connections to them in the
nineties. This included me discussing how the 1940 Glastonbury material
was used by me on the night of Princess Diana’s funeral with the
imagery adjusted for the occasion.<br />
<br />
I also had a bit to say on Rudolf Steiner, his visit to Tintagel and Archangel Michael.<br />
<br />
In conclusion I noted how intriguing it was to be making a
Glastonbury New Zealand connection with such subject matter when Robert
Felkin had launched a branch of the same magical order that Dion Fortune
had joined in New Zealand.Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-14291524903589210342020-01-13T14:40:00.000+00:002020-01-13T14:40:03.146+00:00Green Stone conference Michael Line video presentation<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/amIoKQSAod8/0.jpg" src="https://www.youtube.com/embed/amIoKQSAod8?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />
<br />
<br />
Here is a video of my presentation at the October 2019 Green Stone 40 conference.<br />
<br />
The material is taken from my book <i>The Michael Line, the Qabalah and the Tarot.</i><br />
<br />
It deals with a leyline journey inspired by the potent ideas of landscape qabalah and tarot. These ideas were based on an earlier psychic questing episode from 1981 which is also explained here.Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-81898854477969860252019-12-23T13:33:00.000+00:002019-12-23T13:33:18.563+00:00Boris Johnson Henry VIII Rune Soup Interview<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJh_Z4MspfzwWEOA_q_b5SpHTdIaAlWK_x6X6b-rNz-YViyaZVqWuwoP0OzQGQ3bP9ZQO3KfA6Lfbv_E2rCtoMNgy0BT1XSh0_rirQLIKQhhjmpWP1FWDvW2uOBcQCAcYVplQkY8fA6_Y/s1600/BorisHenry2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="761" data-original-width="910" height="333" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhJh_Z4MspfzwWEOA_q_b5SpHTdIaAlWK_x6X6b-rNz-YViyaZVqWuwoP0OzQGQ3bP9ZQO3KfA6Lfbv_E2rCtoMNgy0BT1XSh0_rirQLIKQhhjmpWP1FWDvW2uOBcQCAcYVplQkY8fA6_Y/s400/BorisHenry2.jpg" width="400" /></a></div>
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<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/MubzkQH1NIM/0.jpg" src="https://www.youtube.com/embed/MubzkQH1NIM?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
<br />
<br />
It's been a wild ride in the UK. When Boris Johnson visited the town of Wells on the exact anniversary of the trial of Glastonbury Abbey's last Abbot there, the day before his horrific execution on Glastonbury Tor, my mind went into overdrive. Starting from a broad comparison between Boris and Henry VII, I found myself musing on all manner of things including Extinction Rebellion.<br />
<br />
I'm grateful to Gordon White for giving me the opportunity to rapidly air this material.<br />
<br />
The response has already been such that I am now fully engaged in writing a short book that I intend to manifest asap.<br />
<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo5r8zptHTTHVNE5uRp6OjKWYwjB0sWH96yaqVYq6VFKuq687zFH6bZsJTcTtKpj4XNcI00X1b0CL0ZhMJUFkvPYnEANDhTyYbAYlNMNGYwlke9JGmDi_TmQKjfxX6xk0xgW-3kisdPto/s1600/BorisHenry3.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="264" data-original-width="852" height="99" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjo5r8zptHTTHVNE5uRp6OjKWYwjB0sWH96yaqVYq6VFKuq687zFH6bZsJTcTtKpj4XNcI00X1b0CL0ZhMJUFkvPYnEANDhTyYbAYlNMNGYwlke9JGmDi_TmQKjfxX6xk0xgW-3kisdPto/s320/BorisHenry3.png" width="320" /></a></div>
<br />Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-55323326132474111002019-10-30T21:40:00.000+00:002019-10-30T21:40:10.424+00:00Hauntological Reverie Video.<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/V_z9AO7xg1E/0.jpg" src="https://www.youtube.com/embed/V_z9AO7xg1E?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
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<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">In August 2014 I read Mark Fisher’s <i style="mso-bidi-font-style: normal;">Ghosts of My Life</i>: <i style="mso-bidi-font-style: normal;">Writings on Depression, Hauntology and Lost Futures </i>and Simon
Reynolds <i style="mso-bidi-font-style: normal;">Retromania:</i> <i style="mso-bidi-font-style: normal;">Pop Culture's Addiction to its Own Past</i>,
back-to-back and was tremendously inspired, finding all manner of cultural
memories stirring and being re-fashioned at a rapid rate. I had just got some simple
video software having decided it was way past time to get some footage of my
lectures online. Whilst tinkering about with it a most satisfying creative
process followed that allowed me to express something of what I termed a
Hauntological Reverie.</span></div>
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<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">I sat with the result for some time. When writing
what became my <i style="mso-bidi-font-style: normal;">Glastonbury
Psychogeography</i> in 2016, the initial intention was to include some material
on Hauntology that could also serve as an accompanying piece to the video. By
this time I had adopted the strategy of back-engineering books in order to
launch them at conferences and lectures and ran out of time so that little
section was never completed. I have now felt the need to finish what I started. </span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Hauntology bears some comparison with Psychogeography
inasmuch as, firstly, they are both terms that originated in France but were
then significantly re-visioned in Britain. The term was used by French
post-modernist theorist Jacques Derrida in his 1994 book <i style="mso-bidi-font-style: normal;">Spectres of Marx</i>. It arose from the context of a time when Soviet
Russia had dissolved and it was being proclaimed that communism had died. The
American Francis Fukuyama had recently written <i style="mso-bidi-font-style: normal;">The End of History</i>, a widely publicised supremely contentious
assertion that liberal capitalism had now definitively triumphed as it was the unchallengeable
best way to make the world work. Derrida wrote of how Marx somehow persisted as
both a presence and absence thus creating for him a strange status that
required a new way of thinking to accommodate.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Once the concept was established it soon becomes
clear that ‘persistence through memory that is mutated through absence’ is a
theme that can be remarkably wide-ranging and fruitful. The absence of a future
we once felt might happen leads to widespread cultural retrospectives. Some
have argued that the majority of our culture now consists of cycles of Retro
and rehash, mash-ups and genre blending. This can all be studied as a unity
within the concept of Hauntology. We are remaking our memories and aspirations.
When this becomes conscious and deliberate we have a new force in culture.
Nostalgia becomes creative.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">One of the most powerful forms of such experimentation
can come through music. Some artists are deliberately using old recording
technology and instruments, incorporating fragments of old TV series, movies, advertisements
and so on, to create a mutated memory. It was hearing some of this music that
inspired my Hauntological video foray.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">The philosophy and methodology of the <i style="mso-bidi-font-style: normal;">Ghost Box</i> label was immensely inspiring
to me. The name itself is an evocative reference to television sets and their
peculiar powers. They describe themselves on their website as<em> ‘a
record label for a group of artists exploring the misremembered musical history
of a parallel world. A world of TV soundtracks, vintage electronics, folk
song, psychedelia, ghostly pop, supernatural </em><i style="mso-bidi-font-style: normal;">stories<em>, and folklore.’’</em></i> </span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Running through all this is the potent enchantment
of a kind of false memory, a nostalgia for a past that has been wrongly
remembered and also yearned for, even when aspects of it are disturbing. A
re-visioning and re-inventing of the past is the great creative endeavour.
Somewhere in all this I sense a feeling that the landscape and the memory dream
that hangs in the airwaves through dreams and the moods of particular locales
somehow involves itself in that endeavour, that something wants this adjustment
in favour of a mysterious emotional nuance to occur.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Co-owner, composer and producer Jim Jupp stated that
their nostalgia focus is <i style="mso-bidi-font-style: normal;">“a particular
period of time in British history--more or less 1958-1978. All this might be
tied up with a special kind of national identity, nothing at all to do with
jingoism, flags, sports, borders, anthems.” </i>Having been born in 1959 and
made my first visit to the Stonehenge and Glastonbury Festivals in 1979 to then
watch the John Mills dystopian Quatermass, an apparent expression of the dark
side of the dream in the early months of the Thatcher era, this lands very
strongly with me.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">The founders of Ghost Box Jim Jupp and Julian House
grew up in South Wales. As teenagers they frequented Caerleon-on-Usk, a potent
location full of history and mythology. It was also the birthplace of Arthur
Machen, cult horror writer best known for <i style="mso-bidi-font-style: normal;">The
Great God Pan</i>, an influence on HP Lovecraft. Machen eloquently evoked a
compelling, haunted, often dangerous, landscape. This influence permeates Ghost
Box as does much other horror from both literature and movies. Some Ghost Box
offerings feature the spoken word or have written texts accompanying their
packaging, ranging from short stories to seventies mock-up documentary items. </span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Perhaps the most over-riding meta-nostalgia that
unites the disparate material is a lost utopianism. The sixties saw the
building in Britain of new housing estates and shopping centres, of high-rise
blocks of flats, as a part of a huge programme to make good sites still bomb
damaged from the war and replace homes considered to be slums. It seemed part
of a vast social transformation that had begun with the welfare state and would
assuredly make a better world that the TV shows and comics I consumed portrayed
as a gleaming high-tec paradise where flying cars and moon bases would be sure
to follow.</span></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Of course this promise was not fulfilled. The
seventies ultimately seem in retrospect to have been a grim strange decade.
Things got dystopian at a rapid rate. The new estates and tower blocks
destroyed communities and bred alienation, soon seeming to be slums as well. It
was the landscape that provided a strange counter-expression of the times.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">I have long felt that occultism, UFOlogy and Earth Mysteries,
folklore and the hippie mysticism of leylines and so on were part of one
spectrum and I was enthralled by the controversial research John Keel and
Jacques Vallee who produced great work son this unity. In this video I
playfully express that unity with a nod to the importance of the rock music of
the time in helping this feeling with glimpses of <i style="mso-bidi-font-style: normal;">Glastonbury Fayre</i> and Led Zeppelin’s Jimmy Page in a fantasy
sequence form the band’s <i style="mso-bidi-font-style: normal;">The Song Remains
the Same</i> movie filmed in the grounds of Aleister Crowley’s old home on the
shores of Loch Ness. I had got plenty of mileage from investigating the Crowley
Loch Ness interface in my book <i style="mso-bidi-font-style: normal;">Aleister
Crowley and the Aeon of Horus</i> and my first filmed lecture was drawn from
this in September 2014.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">This is my lost future, sourced from UK
material.<span style="mso-spacerun: yes;"> </span>I wanted the dynamism of this
extraordinary blend to literally transform our sense of reality. It is grasped
by the psychic prodigies the <i style="mso-bidi-font-style: normal;">Tomorrow People</i>,
a British kids TV <i style="mso-bidi-font-style: normal;">X Men</i>. Evolutionary
mutants will interact with the great mystery, safeguard us from its possible
hazards, and eventually the whole human race will follow. <span style="mso-spacerun: yes;"> </span>Perhaps help from external sources is
available as well. Dr Who feeds that.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">And those hazards There’s an edginess concerning
what is really being confronted and where that might lead. Ancient devils might
be the masks of malevolent aliens. Perhaps our potential is just being
harvested and our ley pilgrimages to ancient sites will end like the 1979
Quatermas story with absorption into a beam of light that represents
annihilation rather than ascension and redemption. This is our collective test
of fear and resolve. A confrontation with a Dweller on the Threshold. It’s a selective
variant version of a past that haunts my present, still seeking to transform
the future. <span style="mso-spacerun: yes;"> </span></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">I had a distinctive personal immersion in Hauntological
themes when writing my book <i style="mso-bidi-font-style: normal;">The
Glastonbury Zodiac and Earth Mysteries UFOlogy.</i> The centre of gravity of
the work concerned the previously unpublished 1969 UFO experience of author
Anthony Roberts and his wife Jan. It led to a download that set Roberts off on
a wild writing process dealing with ancient astronaut theories filtered through
pulp science fiction and fantasy. As a Glastonbury enthusiast he was enamoured
of the belief in the existence of a huge landscape zodiac shaped from a mix of
topographical features. A popular idea in the sixties and seventies, it had no
archaeology to back it up. Roberts took proposed dating back thousands of years
and claimed it was an Atlantean relic created with help from ETS. However crazy
this might sound, I have long felt a peculiar beauty and potency, a certain
poetry in this kind of blend. It was the very epitome of British psychedelic
Earth Mysteries UFOlogy.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">The enormous manuscript that resulted, provisionally
entitled <i style="mso-bidi-font-style: normal;">Giants in the Earth</i>, was
never finished. In 2013 I became the first person outside of the Roberts
household to read it in 40 years, Tony having died in 1990. Looking into the
work and the influences it drew on made me realise that the inspiration of
Earth Mysteries UFOlogy on the development of Glastonbury as modern mystical
capital of Britain was far stronger than many might realise. It undoubtedly lay
behind Robert’s creation and editing of the mid-seventies anthology <i style="mso-bidi-font-style: normal;">Glastonbury: Ancient Avalon, New Jerusalem</i>,
perhaps the most widely circulated work on the mystical aspects of the place in
terms of ley lines, terrestrial zodiacs, and so on.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">I wondered what it would have been like if the book
had been completed and published in 1971 when the initial writing inspiration
abated? It could have sat alongside a large number of pulp paperbacks of the
time and become part of a certain climate of thought. The ideas it contained
would have become part of the fabric of seventies Glastonbury as shops like <i style="mso-bidi-font-style: normal;">Gothic Image </i>opened and began to
establish the emerging modern identity of the town. Roberts was quite closely
associated with the shop and if his book had been published it would assuredly
have been on sale there alongside the anthology and found its way out as part
of an expression of the blend of the time. I had a sense of a cover that would
contain visual aspects of the ancient astronaut paperback art of the time. I
even entertained the wild idea of publishing it. I knew that Yuri Leitch, who
has been responsible for the cover art I have designed for my books could
produce a superb homage in that style, perhaps featuring a classic Adamski
Flying Saucer above Glastonbury Tor? Pages from the text were scanned. It would
be a colossal task involving huge editing. It would cost a lot of money. In
standard paperback size it would run to around 500 pages. The number of sales
would be extremely limited. I ran out of money and it never happened.</span></div>
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<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">My interest in Hauntology helped me to realise that
this episode featured many familiar themes. The existence of this text in a
kind of hyperspace represented an enhancement of an existing cultural trend.
Glastonbury has had its share of UFO and Atlantean enthusiasts. This work
though, by a man who was a passionate Avalonian, who had actually died of a
heart attack on Glastonbury Tor, was the direct result of a UFO experience at
the end of the mythic sixties. If this combination had rippled out into the
headspace of Glastonbury pilgrims who might have bought the book in <i style="mso-bidi-font-style: normal;">Gothic Image</i> in the seventies and into
the eighties then an infinite number of adjusted nuances were possible. This
was a tantalising lost future that was not just an imaginative recreation. The
text was real and inspired by something perplexing. All of this is part of the
alchemy that led to me wanting to create my <i style="mso-bidi-font-style: normal;">Hauntological
Reverie</i> video.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">Immersed in the work as I was, and launching my book
at the always cosmically expansive Glastonbury Symposium in July 2015, I felt
that something of those nuances were strongly active in me and, even though I
had not managed to publish the original text, I was helping that buried
dreamlike current to break the surface. It was an uncanny feeling and helped
along by my repeated listening to the 1976 prog-rock instrumental album <i style="mso-bidi-font-style: normal;">In Search of Ancient Gods</i> by Absolute
Elsewhere during the writing of the book. I’d still like to see a 1971 retro
version of Tony Roberts <i style="mso-bidi-font-style: normal;">Giants in the
Earth</i> manifest and in doing so lead us to feel it had always been here
somehow since that date.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<span style="font-family: "Times New Roman","serif"; font-size: 12.0pt; line-height: 115%;">As for my video<i style="mso-bidi-font-style: normal;">,
A Pilgrims Path</i> from the album <i style="mso-bidi-font-style: normal;">The Belbury
Tales</i> by Belbury Poly (a Ghost Box Jim Jupp project) really evoked the
blend for me that had stirred in my readings and reveries. Images I rapidly
gathered seemed to easily cohere with it. The name Belbury was taken from a fictional
location featured in the CS Lewis novel <i style="mso-bidi-font-style: normal;">That
Hideous Strength</i>, a work stuffed to bursting point with many of the coming
decades’ motifs in terms of awakening landscape mysticism and opposing dark
forces that constitute a kind of techno-demonism. I know the video is very much
an amateur production but I hope it is enjoyable and conveys at least a little
something of the feelings that inspired it.</span></div>
<div class="MsoNormal">
<br /></div>
Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com2tag:blogger.com,1999:blog-8152376017354008016.post-81354792150890404772019-10-28T15:54:00.001+00:002019-10-28T15:54:30.311+00:00British Music. Arthurian Landscape Evocation video.<div class="separator" style="clear: both; text-align: center;">
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Between Nov 2014 and May 2015, I presented a series of
lectures unpacking my book <i>Mysterium Artorius</i> for the Glastonbury Pilgrim
Reception Centre. The first was filmed with the intention of coaxing people
along for the rest of the sequence. The footage was compromised by the lighting
in the room and glare on the slide-screen and was never uploaded. Last week I
felt it would be worth the effort to try and tidy it up to make it viewable, so
here is British Music, featuring Glastonbury, Tintagel, Dion Fortune, John
Cowper Powys, Edward Elgar, Frederick Bligh Bond, Circle of Perpetual Choirs,
and including audio-visual sections with the music of Wagner, Vaughan Williams
and Tallis.</div>
Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com1tag:blogger.com,1999:blog-8152376017354008016.post-36441158872997575752019-10-01T15:26:00.000+01:002019-10-01T15:26:19.399+01:00Memory of a Free Festival: the Flying Saucer Vision video<div class="separator" style="clear: both; text-align: center;">
<br /></div>
<div class="separator" style="clear: both; text-align: center;">
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<br />
<br />
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Commemorating the 50th anniversary of the Beckenham free
festival that inspired David Bowie’s UFOlogical anthem <i>Memory of a Free Festival.</i> Here is a presentation on 60s
and 70s Earth Mysteries UFOlogy focused on Glastonbury. </div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Part of the larger
Glastonbury Blakestock Festival<span style="mso-spacerun: yes;"> </span>that was
spread over the 3 days of the 50th anniversary of Woodstock.</div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
Material taken from my books <i>The Glastonbury
Zodiac and Earth Mysteries UFOlogy</i>, and <i>William Blake and the Glastonbury
Gnosis.</i></div>
<i>
</i><br />
<br />
<br />
<br />Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com2tag:blogger.com,1999:blog-8152376017354008016.post-4323687923151979472019-08-05T13:59:00.000+01:002019-08-05T13:59:07.765+01:00Blakestock<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiutitFs1jNkVGQsIpTDx3JPhFbELHPEb7pilQcd-McheDbaIBZaGzzNbGoM7bhNe1zDTw_yl_vZXW4pLB4JbgTTUwRZo3JiDtJ96pDF8nif7gNCAAnM2aT5cPmjzQjOHwPVjIL_YNOJYQ/s1600/Oracle2019.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="558" data-original-width="536" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiutitFs1jNkVGQsIpTDx3JPhFbELHPEb7pilQcd-McheDbaIBZaGzzNbGoM7bhNe1zDTw_yl_vZXW4pLB4JbgTTUwRZo3JiDtJ96pDF8nif7gNCAAnM2aT5cPmjzQjOHwPVjIL_YNOJYQ/s320/Oracle2019.jpg" width="307" /></a></div>
<br />
<br />
Some significant 50 year anniversaries are about to be celebrated in Glastonbury.<br />
<br />
Primarily we have Woodstock, which happened between August 15th - 17th 1969. In the middle of those 3 days, the 16th, we also have the anniversary of the free festival that inspired David Bowie's UFOlogical anthem. I have taken this as the inspiration for a presentation on UK sixties Psychedelic Earth Mysteries UFOlogy, using the strange experiences of visionary Gino Gennaro who encountered 'Venusian fairies' on Glastonbury Tor, as my Blake connection as he went on to produce a strange book illustrated with Blake artwork as a result of the download he received.<br />
<br />
There is still time to get involved an maybe recite a favourite Blake poem.<br />
<br />
<div style="text-align: center;">
<a href="http://glastonburywilliamblakefestival.com/" target="_blank">Glastonbury William Blake Festival</a> </div>
Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-3594415365128697742019-06-23T15:08:00.003+01:002019-06-23T15:08:39.765+01:00Glastonia Aegyptiacus available on Kindle<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQrFL9dpc1zZ7fC-qytk5xpNpDFzU0sn9UFo7y6CDLDFqAfpaluiYAMVV5FBGrPYTZWdXxazc3qyC3bfT6ZYi4Ob0b0kfpma50F_Ry3z0Ep2UwylUz1yyGRLB8gBS2lxMX7tcFy7sQkmg/s1600/Glastonia+Aegyptiacus+cover+visual2+revise+RGB+1000px+%25282%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1000" data-original-width="705" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQrFL9dpc1zZ7fC-qytk5xpNpDFzU0sn9UFo7y6CDLDFqAfpaluiYAMVV5FBGrPYTZWdXxazc3qyC3bfT6ZYi4Ob0b0kfpma50F_Ry3z0Ep2UwylUz1yyGRLB8gBS2lxMX7tcFy7sQkmg/s400/Glastonia+Aegyptiacus+cover+visual2+revise+RGB+1000px+%25282%2529.jpg" width="282" /></a></div>
<br />
<br />
<br />
<div style="text-align: center;">
<b><a href="https://www.amazon.co.uk/gp/product/B07T9P191F/ref=dbs_a_def_rwt_bibl_vppi_i12" target="_blank">Buy the Book on Kindle UK</a></b></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<b><a href="https://www.amazon.com/Glastonia-Aegyptiacus-Paul-Weston-ebook/dp/B07T9P191F/ref=sr_1_fkmr0_1?keywords=paul+weston+gastonia+aegyptiacus&qid=1561298331&s=books&sr=1-1-fkmr0" target="_blank">Buy the Book on Kindle USA</a> </b></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: left;">
The greatest Glastonbury story I have ever heard concerns the epic 80s psychic quest of Andrew Collins that led him from the Somerset Star Temple to the Giza plateau and proved to be a huge inspiration and foundation for much of his future work. </div>
<div style="text-align: left;">
<b> </b></div>
<div style="text-align: left;">
I have featured this story, with varying levels of detail, in a number of my books, primarily <i>Avalonian Aeon. </i>Around the time of the spring equinox I felt inspired to isolate the story and tell it on its own, adding some fresh material. I have now completed this at the time of the summer solstice, which was the period that Andy completed his great adventure in 1985 and subsequently led a group including myself on a vision quest around the Glastonbury Zodiac in 1990.</div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
Starting with the medieval Essex mystery of the Knights of Danbury, an
expansive odyssey leads to the Glastonbury Star Temple, a secret
Knights Templar ceremony, Black Alchemy, and a Hermetic blend that
reveals the Morphogenesis pattern and process understood and used by a
lost culture before the pyramids. The epic psychic quest was the root
of Andrew Collins later work and the initial inspiration for his
investigation of ancient hybrid strains of humanity from the legends of
the Nephilim to the Denisovans. The book also features the work of
Katharine Maltwood and Frederick Bligh Bond. </div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
The cover art is by legendary psychic Bernard G who was such a vital part of Collins’ early work, particularly cult classic <em>The Black Alchemist</em>. The Glastonbury to Giza story sees him functioning at the peak of his powers.</div>
Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com3tag:blogger.com,1999:blog-8152376017354008016.post-45451013889177735882019-05-06T16:47:00.000+01:002019-05-06T18:10:31.985+01:00Michael Line, the Qabalah and the Tarot book available on Kindle<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFSOhuTHO8Ajwzi-UvmqFIJ9cjP3zrZh1sXh3Z4JPE4EGpW_g2cwOlopHYRzLQJMspBZU8Qob0oAdziCQdnWmqu4oNj1TWrPTruRT55lRruno4jNBdxLydBcfqSE3zMfcBb99QcdByEP8/s1600/Mikelinethis+onehires.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1533" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFSOhuTHO8Ajwzi-UvmqFIJ9cjP3zrZh1sXh3Z4JPE4EGpW_g2cwOlopHYRzLQJMspBZU8Qob0oAdziCQdnWmqu4oNj1TWrPTruRT55lRruno4jNBdxLydBcfqSE3zMfcBb99QcdByEP8/s400/Mikelinethis+onehires.jpg" width="280" /></a></div>
<br />
<br />
<div style="text-align: center;">
<b><a href="https://www.amazon.co.uk/Michael-Line-Qabalah-Tarot-Pilgrimages-ebook/dp/B07RHG42DT/ref=sr_1_fkmrnull_3?keywords=paul+weston+michael+line&qid=1557157269&s=books&sr=1-3-fkmrnull" target="_blank">Buy the Book on Kindle UK</a></b></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<b><a href="https://www.amazon.com/Michael-Line-Qabalah-Tarot-Pilgrimages-ebook/dp/B07RHG42DT/ref=sr_1_fkmrnull_3?keywords=paul+weston+michael+line&qid=1557157382&s=books&sr=1-3-fkmrnull" target="_blank">Buy the Book on Kindle USA</a> </b></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: left;">
My 2016 book is now available on Kindle.</div>
<div style="text-align: left;">
<b> </b></div>
<div style="text-align: left;">
<b>From the Preface.</b></div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
<br /></div>
<div style="text-align: left;">
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 12.0pt;">The Michael Line, the Qabalah, and the Tarot</span></i><span style="font-size: 12.0pt;"> was one of the first public presentations I gave in
Glastonbury after moving here in 1995. Since then the material has increased and
I have periodically returned to the subject. It was aired at one of Andrew
Collin’s Questing Conferences in London. I commissioned Yuri Leitch to paint
the artwork now featuring on the cover of this book as far back as 2006 to
accompany my talk at Glastonbury’s first <i style="mso-bidi-font-style: normal;">Megalithomania
</i>gathering. A short article featuring two of the landscape tarot
visualisations appeared firstly in the <i style="mso-bidi-font-style: normal;">ASH</i>
(Albion’s Sacred Heritage) journal and then Glastonbury’s <i style="mso-bidi-font-style: normal;">Avalon</i> magazine in the nineties. It has long been somewhere in the
back of my mind that I should turn it into a book. </span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span style="font-size: 12.0pt;">This is not a work of
history and archaeology. That’s probably not a big surprise to most people but
there might be a few who get the wrong idea of what realm of discourse I think
I am involved in here. It’s not news to me that the concept of leylines has not
exactly been entirely accepted by academics. I also wouldn’t dispute that the
reasons for that are often valid. The story starts in the realm of psychic
questing, a subject even further out on the fringe. There’s no shortage of
people who start foaming at the mouth when the topic is raised, particularly
the Green Stone story. For the record, I was seriously involved in Questing as
part of a group led by Andrew Collins and I consider the Green Stone to be part
of the greatest paranormal drama played out in Britain in the twentieth
century. What matters here though is how useful that story became in
stimulating some faculty in me that helped the creation of a fabulous framework
for a magnificent journeying. Picking around the minutiae of the original story
would miss the point here altogether.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span style="font-size: 12.0pt;">Andrew Collins included the
Lights of Knowledge story in his original version of <i style="mso-bidi-font-style: normal;">The Seventh Sword </i>but the publishers asked him to remove it. I had
the strange experience of reading it again, twenty five years later, thanks to
Andy and Michael Tazzar, who has the manuscript. My account is brief. I hope
that Andy’s full version of this remarkable adventure appears in print one day.
It is the fundamental inspiration for my own material. Without it, there would
have been no Qabalistic tarot Michael Line journeys. The questing of the Lights
of Knowledge and the later ley pilgrimages have very different flavours. Seeing
them together though presents a mysterious and powerful unity, an affirmation
of psychic questing and the numinosity of the sacred landscape.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span style="font-size: 12.0pt;">Some serious adepts of the
Qabalah might get annoyed about all kinds of things. The use of the Jewish
mystical system by western occultists of the last century or so, primarily the
Golden Dawn tradition, is consistently contentious. And the most contentious
point of all is the placing of the tarot into that framework. A nineteenth
century invention we are reliably informed. As to which cards are supposed to
fit the various paths, well that seems to be somewhat variable as well.</span></div>
<div class="MsoBodyText">
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<div class="MsoBodyText">
<span style="font-size: 12.0pt;">I have made use of the
Golden Dawn tarot attributions in this work. They were accepted by Dion Fortune
and, with one notable exception that will feature in the narrative, by Aleister
Crowley, the two most important and influential occultists of the twentieth
century. I make no arguments for anything being set in stone however. I have
simply found that the material worked amazingly well in the context in which I
experimented with it. It served a purpose. It served the purpose of leading me
and, over the years a number of other people, on unique journeys that took in a
diverse selection of ancient mystical sites across an endlessly inspiring
landscape, an expansive journey that left an enduring appreciation of Britain’s
extraordinary heritage and that showed how the magical traditions sit alongside
poetry and history as profound creative vehicles. I certainly seek to stir
poetic sensibilities though my combination of influences. The presence in the
narrative of William Blake helps make that clear.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span style="font-size: 12.0pt;">The wonderful cover
painting by Yuri Leitch is an example of where artistic concerns have taken
priority over magical details. In the Qabalisitc terms later explained here,
the rainbow should connect the lower spheres depicting the White Horse of
Uffington and Silbury Hill and pass beneath the image of Glastonbury Tor. I
felt it worked better passing over all three.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span style="font-size: 12.0pt;">Maybe we can say that the
subject matter of this work is a bit psychogeographical inasmuch as it deals
with the interaction of the human psyche with the landscape and makes use of
some distinct mental mapping techniques to do so. Perhaps that might make some
a bit more comfortable as that is a realm where we are allowed to be a bit
weird and quirky.</span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span style="font-size: 12.0pt;">I’ve travelled along the
Michael Line in 1991,92,97,98 and 2011. I’m not going to feature any details of
’92 and ’98 here. It’s not because they weren’t great journeys. 1992 was a real
biggie on a personal level. It’s simply a case of avoiding repetition. There
were no innovations to the format in those years. </span></div>
<div class="MsoBodyText">
<br /></div>
<div class="MsoBodyText">
<span style="font-size: 12.0pt;">My friends often joked with
me about how long it was taking to complete my <i style="mso-bidi-font-style: normal;">Avalonian Aeon. </i>In the end, it was ten and a half years. In recent
times I have gone to the opposite extreme. <i style="mso-bidi-font-style: normal;">The
Glastonbury Zodiac and Earth Mysteries UFOlogy</i> and <i style="mso-bidi-font-style: normal;">Glastonbury Psychogeography</i> were each created in two weeks, albeit
making use of some already written material, in both cases with the aim of
launching at a conference. This process has now reached probably its maximum
level of crazy intensity as I have gone from ten years to ten days to create
this work for Laura Daligan’s Avalon Tarot Conference. I sincerely believe it
is a feast for all tarot enthusiasts and leyline pilgrims, presenting
remarkable ideas in a way that will hopefully inspire many to go forth on their
own journeys.</span></div>
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<div class="MsoBodyText">
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Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com1tag:blogger.com,1999:blog-8152376017354008016.post-8151127489818082762019-04-03T15:12:00.001+01:002019-04-03T15:12:47.191+01:00Atargatis book now available on Kindle<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibCokyreOmgHKKbx5tTz-6XWSqkhqSOTMCY8Nq0W5ioX3LFbp1JOpJsofpu3eeqdmLuLgvjWoXGzQqQuAax1OYNdA3Cmk3W00OHlv-knbJkxuSLmio5HhQ5etaDm2puoNlJojiveyCO6A/s1600/ATARGATIS+FRONT+COVER.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1129" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEibCokyreOmgHKKbx5tTz-6XWSqkhqSOTMCY8Nq0W5ioX3LFbp1JOpJsofpu3eeqdmLuLgvjWoXGzQqQuAax1OYNdA3Cmk3W00OHlv-knbJkxuSLmio5HhQ5etaDm2puoNlJojiveyCO6A/s400/ATARGATIS+FRONT+COVER.jpg" width="281" /></a></div>
<br />
<br />
<div style="text-align: center;">
<b><a href="https://www.amazon.com/dp/B07PX3595N/ref=sr_1_fkmrnull_2?keywords=paul+weston+atargatis&qid=1553624951&s=books&sr=1-2-fkmrnull&fbclid=IwAR2xzlPWcFKpuqTQCkJZe6jI3LEFb_chSOU5LIudal3-tx4j8ib9_-wYqWk" target="_blank">Buy the Book on Amazon Kindle USA</a></b></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<b><a href="https://www.amazon.co.uk/Atargatis-Paul-Weston-ebook/dp/B07PX3595N/ref=sr_1_fkmrnull_1?crid=3QY22CJFRDQ5J&keywords=paul+weston+atargatis&qid=1554300389&s=books&sprefix=paul+weston+%2Caps%2C668&sr=1-1-fkmrnull" target="_blank">Buy the Book on Amazon Kindle UK</a> </b></div>
<div style="text-align: center;">
<br /></div>
<div style="text-align: center;">
<br /></div>
My book <em>Atargatis</em> is now available globally in Kindle
format. It is probably my favourite work as it covers such a wide
spectrum of subject material.<br />
<br />
From the back cover: <br />
A
wild story of complete immersion in a magical mystical lifestyle. An
Astonishing East-West New Age Blend. <br />
<em>A Goddess
Extravaganza. </em>Atargatis,
Ishtar, Astarte, Asherah, Tanit, Isis, Babalon, Inanna, Nuit, Aphrodite,
Lilith, Matronit, Shekhina.<br />
<em>Psychic
Questing. </em>Green Stone, Sobek Neferu Re, Typhonian Thames, The Temple of the Blue Flame, St Bega: the
Egyptian star, Avebury Form of the
Serpent, Dream Demons, Egyptians and Phoenicians in Ancient Britain.<br />
<em>Magical
Fictions. </em>Twin
Peaks, Robin of Sherwood, Jewel of the Seven Stars, The Sea Priestess. <br />
<em>Locations across
Time and Space.</em>Margate
Seashell Grotto, Hierapolis, Glastonbury, Hadleigh Downs, Babylon, Shambhala, Brean
Down.<br />
<em>Also Includes: </em>UFOlogy,
Fellowship of Isis, Tibetan Buddhism, Past Lives, Reiki, 11:11, Dolphin
Channelling, Rebirthing.<br />
<em>Featuring: </em>Dion Fortune,
Aleister Crowley, Kenneth Grant, HP Lovecraft, Whitley Strieber, Carlos
Castaneda, Andrew Collins, James Rendell Harris, Jose Arguelles, Morien O
Morgan, Solara, Graham Phillips, Timothy Wyllie, Elagabalus, James Joyce, Cunning Murrell, Ozric
Tentacles.<br />
<em>The Gurus. </em>Osho Rajneesh,
Swami Muktananda, Sai Baba, Meher Baba.<br />
<em>Create your own Synchronicity. Hack your destiny code.</em><br />
<br />
A few of my video lectures feature material from the book. I have posted them before here but I present them again together as part of the promotion of the book.<br />
<br />
<br />
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<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/XYgie3GJcuM/0.jpg" src="https://www.youtube.com/embed/XYgie3GJcuM?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
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<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/3mWl3DLDL4g/0.jpg" src="https://www.youtube.com/embed/3mWl3DLDL4g?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
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<div class="separator" style="clear: both; text-align: center;">
<iframe width="320" height="266" class="YOUTUBE-iframe-video" data-thumbnail-src="https://i.ytimg.com/vi/9pCo__SNqB8/0.jpg" src="https://www.youtube.com/embed/9pCo__SNqB8?feature=player_embedded" frameborder="0" allowfullscreen></iframe></div>
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Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-12165672693892000662019-03-18T22:22:00.000+00:002019-03-18T22:22:48.820+00:00Aleister Crowley and the Aeon of Horus now available on Kindle.<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA6R1_tBIp8gWASjZNKRbRh7_D3XCxW-WdJP-29VBcEBeq4ONe5-tPMhzWySitiHyPJd1VRH-JCGig3PSzw8XK-8d17qNIsHkN6r0Iz5SOmevp_nZFclGtfNiGqkRi2ACggg5ZQgnJEIs/s1600/Crowley+FrontCover+2nd+Edn.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1600" data-original-width="1128" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgA6R1_tBIp8gWASjZNKRbRh7_D3XCxW-WdJP-29VBcEBeq4ONe5-tPMhzWySitiHyPJd1VRH-JCGig3PSzw8XK-8d17qNIsHkN6r0Iz5SOmevp_nZFclGtfNiGqkRi2ACggg5ZQgnJEIs/s400/Crowley+FrontCover+2nd+Edn.jpg" width="281" /></a></div>
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<a href="https://www.amazon.com/dp/B07NHMBCHV/ref=sr_1_1?qid=1552944851&refinements=p_27%3APaul+Weston&s=digital-text&sr=1-1&text=Paul+Westo" target="_blank">Buy the Book on Kindle Amazon USA</a> </div>
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<a href="https://www.amazon.co.uk/dp/B07NHMBCHV/ref=sr_1_fkmrnull_3?keywords=paul+weston+crowley&qid=1552946281&s=books&sr=1-3-fkmrnull" target="_blank">Buy the Book on Kindle UK</a> </div>
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Ten years on from its initial publication, <i>Aleister Crowley and the Aeon of Horus </i>is available in Kindle format.I'm still very
proud of it and feel the sections on the Babalon Working, Jung and the Seven
Sermons, Leary in the Algerian desert, Loch Ness, UFOlogy, the Montauk legend,
and the L Ron Hubbard appendix are pretty damn good.</div>
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There are filmed lectures of mine where I have dealt with topics featured in the book. I have posted them on this blog before over the years but I'm gathering them together again together now as part of the promotion for the new format. </div>
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The Babalon Working.</div>
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A Rune Soup interview about Jack Parsons on the anniversary of his death.</div>
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Crowley and Jung: the Book of the Law and the Seven Sermons.</div>
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Crowley and Jung: imagery, music and text.</div>
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Aleister Crowley and the Loch Ness Monster.</div>
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<a href="https://www.amazon.co.uk/dp/B07NHMBCHV/ref=sr_1_fkmrnull_3?keywords=paul+weston+crowley&qid=1552947555&s=books&sr=1-3-fkmrnull" target="_blank">Buy the Book on Amazon Kindle UK.</a></div>
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<a href="https://www.amazon.com/dp/B07NHMBCHV/ref=sr_1_1?qid=1552944851&refinements=p_27%3APaul+Weston&s=digital-text&sr=1-1&text=Paul+Weston&fbclid=IwAR24gFJedd-nE5R1qszZpOWy-THJoQd996WpzViD7ZhGmMA3WwhxMUka7iY" target="_blank">Buy the Book on Amazon Kindle USA</a></div>
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Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-15261191374818720702019-03-13T13:22:00.000+00:002019-03-13T13:22:25.732+00:00Occult Battle of Britain book now available globally<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrV230-O0Ydd_lm5rimOlJB-r7nWgb1_0cglcUBcJU5FhMcyoeH8VUwinXwbuepP3jQQN-1tdf2owMsxUzT-AApjbZBbMxv_zBM95Q_WYOnJxnUntV2roOYSE9ADq4zS6Xy-L0VuCEJpQ/s1600/OBOB+Dec18.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1536" data-original-width="1080" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrV230-O0Ydd_lm5rimOlJB-r7nWgb1_0cglcUBcJU5FhMcyoeH8VUwinXwbuepP3jQQN-1tdf2owMsxUzT-AApjbZBbMxv_zBM95Q_WYOnJxnUntV2roOYSE9ADq4zS6Xy-L0VuCEJpQ/s400/OBOB+Dec18.jpg" width="281" /></a></div>
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<a href="https://www.amazon.co.uk/Occult-Battle-Britain-Paul-Weston/dp/152723651X/" target="_blank">Buy the Book on Amazon UK</a></div>
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<a href="https://www.amazon.com/Occult-Battle-Britain-Paul-Weston-ebook/dp/B07NXP3DDY/" target="_blank">Buy the book on Amazon Kindle USA</a> </div>
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After eight and a half years of work, my book <i>The Occult Battle of Britain</i> is now available as a paperback in the UK and globally in the Amazon Kindle format.</div>
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The writing process went in cycles. In the middle of the ebb and flow, I got a number of other books out as well. </div>
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When the date for the February 2019 Glastonbury Occult Conference was set, I realised I had an opportunity to launch the book in fine style if I could finish it in time. I think I've now got fairly good at back-engineering projects in order to launch them at events and conferences, so I fully engaged with the process from September 2018 on the weekend of the Glastonbury Dion Fortune Conference, which seemed an obvious time to fully commit to what was involved. </div>
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There was further emotional leverage as I was being given the option of also completing the decade of my fifties by getting 3 books out in a 12 month period, concluding shortly before my 60th birthday. The potential satisfaction in this was obviously immense so it helped to intensify my efforts. I succeeded.</div>
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Don't expect this level of manifestation from me on a regular basis! It may well be that there is something a bit arbitrary about the big decade birthdays but they do carry emotional power and I have certainly found that there has been something very distinct about each decade of my life. My fifties began in Cairo with me writing my Crowley book. It has been a remarkable experience to go back to it again as I prepare a Kindle edition. It has further helped to frame my fifties. I mention all of this to commend the process of getting creative and dynamic about the great cycles of life.</div>
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During the writing of <i>The Occult Battle of Britain</i>, I road-tested the material with public lectures. When launching it in Glastonbury 2019 I gave a presentation featuring some of its contents and also spoke on some of the intense processes involved in leading me to immersion in such a topic at a specific book-launch function. </div>
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There are a number of videos which cover different aspects of the enormous perspective I have attempted to communicate through the book.</div>
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When giving the above presentation I still thought I would include some of my personal stories of engagement with the Dion Fortune material in the book but later felt it would unbalance the work to its detriment.</div>
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Putting on this event in Abbey House Glastonbury on Dion Fortune's birthday in December 2018 was a tremendously satisfying boost for the writing I was then doing, moving into a ever-more intense phase as I faced my self-imposed deadline.</div>
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Some of the material on Fortune and Wiligut was featured in the 2016 lecture but I re-framed it for my Occult Conference audience and as part of the process of launching the work with a clear statement of the way in which I was offering up a unique combination never presented in quite this way before.</div>
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Later on the same day, at the specific book-launch function, I talked of some of the wild and controversial experiences that led to my interest in the subject and enabled me to view it from a unique vantage point that I would hope is obvious to anyone who reads the book. </div>
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This is the back cover blurb.</div>
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The Battle of Britain is one of the great epic pivotal stories of world
history, which has been told in numerous books, looking at every fact,
every nuance, in considerable detail. It has become mythological. There
remains a hidden background to the drama of 1940, involving what could
be termed an ‘Occult Battle of Britain’.</div>
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<br />The Nazis had their own
Grail Castle, in the form of Himmler’s Wewelsburg. For the first time,
this Black Camelot is placed alongside Glastonbury, renowned for its
Arthurian associations.<br />The story can best be understood as the
culmination of a rebirth of Glastonbury that had begun fifty years
earlier. Wewelsburg was likewise the product of decades of development.
Tracing the two lines in Glastonbury and Germany together reveals an
astonishing, otherwise hidden, story and perspective.</div>
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<br />Features:<br />The Avalonians.<br />Dion Fortune, Wellesley Tudor Pole, Frederick Bligh Bond, John Goodchild, Ronald Heaver, Alice Buckton, Rutland Boughton.<br /><br />The Ariosophists.<br />Karl Maria Wiligut, Guido von List, Rudolph von Sebottendorff, Lanz von Liebenfels, Herman Wirth.<br /><br />Includes:<br />Winston
Churchill, Adolf Hitler, H.P. Blavatsky, Rudolf Steiner, C.G. Jung,
Aleister Crowley, Houston Stewart Chamberlain, Rene Guenon, Herman
Goring, Victor Goddard, Wolfram Sievers, Heinrich Himmler, Hugh Dowding,
, Anna Kingsford, Rudolf Hess.<br /><br />Includes:<br />Blue Glass Bowl,
Ahnenerbe, Trithemius and the Age of Archangel Michael, the Spear of
Destiny, British Israel, Lord of the World, the Silent Minute, Thule
Society, Company of Avalon, Melchizedek, Nazi Tibetan expedition,
Tintagel.</div>
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<a href="https://www.amazon.co.uk/Occult-Battle-Britain-Paul-Weston/dp/152723651X/" target="_blank">Buy the Book on Amazon UK.</a> </div>
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<a href="https://www.amazon.com/Occult-Battle-Britain-Paul-Weston-ebook/dp/B07NXP3DDY/" target="_blank">Buy the book on Amazon Kindle USA</a> </div>
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Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-87034271770225941792019-02-01T14:39:00.000+00:002019-02-01T14:39:16.137+00:00Occult Battle of Britain book coming soon<div class="separator" style="clear: both; text-align: center;">
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After over 8 years of work on this project, which I have repeatedly left and then returned to, whilst writing other books, this 440 page epic is now at the printers and only a few weeks away.<br />
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Plenty more details soon to follow. Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-16076199622936960482018-09-17T21:52:00.000+01:002018-09-17T21:52:06.143+01:00Glastonbury Abbey William Blake Recitation<div class="separator" style="clear: both; text-align: center;">
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I began the Glastonbury William Blake Festival with an event in Glastonbury Abbey where I recited some strange words by the poet concerning King Arthur, who is, of course, supposedly buried there.<br />
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It felt like an interesting combination that has possibly never been done before. The intention was to provoke poetic mystical sensibilities rather than suggesting yet another theory about the historical Arthur. I am very happy with how it all went and the manner in which it served to open the portal to a remarkable three days.Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0tag:blogger.com,1999:blog-8152376017354008016.post-36237332153331924152018-09-10T22:43:00.000+01:002018-09-10T22:43:10.990+01:00Synchronicity Video Interview<div class="separator" style="clear: both; text-align: center;">
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I'm very happy with a half hour interview I recently did in Glastonbury's Library of Avalon on Synchronicity. Most of the material can be found in various books of mine and other video lectures and interviews but the format and timescale enabled me to be concise.<br />
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It is part of the latest edition of Matt Witt's <i>Wake Up Screaming</i> e zine. It's full of many contributions from other interesting people.<br />
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<a href="https://wakeupscreaming.com/edition-14-chance-intro-matt-witt/" target="_blank">Wake Up Screaming</a></div>
Paul Westonhttp://www.blogger.com/profile/13556701048186743944noreply@blogger.com0