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Painting by Bernard depicting details of Glastonbury Zodiac quest.
This week saw the passing of a man whose psychic abilities were a legend to those that knew of him. Bernard G was of fundamental importance in the work of Andrew Collins, featuring in his cult classic work
The Black Alchemist and inspiring the research that led to
Beneath the Pyramids. I have been fortunate to have had access to enormous archive material of Andy's to use in the writing of my work in progress
Avalonian Aeon that will feature an extensive treatment of Bernard's extraordinary work on the Glastonbury Zodiac and the Giza plateau.
In my book I introduce Bernard's abilities in a chapter called
Super Psychics. I am posting the original version of this piece that includes some comparisons with material in
Spear of Destiny which has been edited out but may still be of interest.
SUPER PSYCHICSOne of the things that had most impressed me about the Green Stone story was the way that accurate psychic information had been produced in abundance. I soon got to hear far more detailed versions of those events and realised that in fact the psychism was even more spectacular than at first appearance. The book suggested that Gaynor Sunderland had been the centre of gravity of the strange phenomenon. Her role was undoubtedly crucial but Graham Phillips had probably been the driving force. As things had got going he’d developed extraordinary abilities himself. The historical details he’d come out with, tracing the story from Akhenaten and megalithic Britain through to Victorian times, were full of names, dates, and places that were readily checkable. Many of the Victorian names were very obscure but eventually traced. Andy came to refer to this talent as Direct Information Psychism and those with the rare ability to manifest it as Super Psychics. After the Green Stone saga had played itself out, Andy had left the Midlands and returned to his original home of Essex. He set up an earlier version of Earthquest to see if it was possible to duplicate the kind of events that had happened around the Meonia group. He met a man named Bernard who soon demonstrated all the classic abilities of the Super Psychic.
I heard many accounts of Bernard’s prodigious talent. What really appealed to me was that he didn’t need any of the trappings of the Victorian medium or New Age channeler to get a result. Andy would meet up with him at a pub. They’d settle down with some beers and cigarettes and have a chat. As the conversation turned to esoteric matters, Bernard would begin to pick up information and start relaying it. A pub full of people and a juke-box didn’t make any difference. He didn’t even necessarily close his eyes. Andy would tape record or take written notes of each session.
To adequately convey the kind of information he produced I feel it’s necessary to give an extended example. On one evening, the subject turned to the Middle Ages. Bernard came up with 37 pieces of information in quick succession. They were all on a topic that had not been discussed before.
1) There is a medieval castle at a place called Coucy in France.
2) A family of the same name owned it.
3) Coucy was in an area called Picardy.
4) It’s not far from Paris.
5) The castle was constructed around the twelfth century.
6) It was built upon an earlier structure.
7) The land was once owned by Clovis, the French King.
8) It is large and positioned on a very significant strategic point.
9) It had five towers, four at the corners and one large central one.
10) Over the entrance to the castle was a base relief of a knight without armour fighting a lion.
11) In front of the entrance is a statue complex of four lions.
12) One of the lions is devouring a child.
13) Nearby is a standing cross.
14) A group of monks there performed a kind of ceremony there that involved circling the cross and then pouring the contents of a cup over the lions.
15) There is a complex of tunnels and chambers beneath the castle.
16) There is a central chamber beneath the central tower.
17) Thirty-seven steps lead down to the central chamber and three corridors lead away from it.
18) More steps lead up to the tower from the ground floor.
19) There is a large banqueting hall in the castle with a raised dias at one end.
20) Behind the dias are carved reliefs of the Nine Worthies (remember them from The Green Stone?)
21) Six of them are: Hector, Charlemagne, Alexander, Arthur, Godfrey de Bouillon, and Judas Maccabeus.
22) This hall contained battle standards to the left and right of the stage.
23) Servants with torches stood on either side of the hall during banquets.
24) There is also a smaller hall featuring female Worthies.
25) The banqueting hall was constructed during the fourteenth century.
26) Someone named Ingelram de Coucy had built it.
27) He built it to honour his wife.
28) Her name was Isabella and she came from a very important family.
29) Her family connected to previous questing work.
30) Bernard drew the family coat of arms and named the colours.
31) Ingelram de Coucy was tall, dark roundish face and bearded. Seemed a very powerful character.
32) He was strongly connected to the King, possibly an Ambassador.
33) The Germans occupied the castle during the war.
34) It was badly damaged then.
35) It is now just a ruin.
36) The Germans tried to locate treasure there.
37) Ingelram was the last of his dynasty.
The important thing about this kind of material is that it’s checkable. Andy’s later research revealed that the castle was built in the thirteenth century. Nothing could be found about the wartime German treasure hunt. Other than that, thirty five of the thirty seven points proved to be accurate. That’s a good batting average. Bernard was, like Frederick Bligh Bond, a suitably prepared vehicle. His strange experiences over the years had stimulated an interest in medieval history, heraldry and so on. This seemed to help an input of material that had never been present in his head in the first place. Of course, sceptics will simply never believe this. It would always be assumed that he had prior knowledge of the material.
The castle was only one of the topics covered that evening. A few minutes later, Bernard was pouring out the same quality of material about something else altogether. He’d been doing it every week
for years. Direct Information Super Psychics can function that way. Compare this with the ramblings of most New Age channelers or even the successful psychic espionage of remote viewing experiments. The level of quality was outrageous. Bernard had made a major contribution to Andy’s Glastonbury Zodiac work. The saga of the Black Alchemist revealed his abilities functioning at their most intense level.
There was only one example of comparable psychism I was aware of. It was detailed in Trevor Ravenscrofts’ cult classic,
The Spear of Destiny. The contents of this work, which deals at length with the alleged occultism of Hitler, are contentious to say the least. Large chunks of it have been rubbished over the years for various reasons. I’m aware of these controversies and they’re not relevant to my main concerns here.
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The legend of the Spear of Destiny suggests that it is the very weapon that pierced the side of Christ on the cross. The Roman soldier responsible for this act supposedly held the fate of the world in his hand as his act prevented the legs of Christ from being broken to accelerate his death. If he had been thus injured it would have messed with a Jewish messianic prophecy telling about no bones being broken on the body of the chosen one. I wasn’t interested in whether or not that was really true. In order to believe that side of the story it would be necessary to fully endorse Christianity, to accept the Jesus drama as a unique world-redeeming event. I wasn’t ready to go that far.
What did seem plausible was that a spearhead believed to be that very artefact had indeed been in the possession of an impressive sequence of major historical game-players, at least from Charlemagne onwards, right through to Hitler. Somehow it had become magically spiritually powerful. That was the concept that really fascinated me. It seemed to serve as a potential portal to a kind of Time Spirit that could see history in its totality, the rise and fall of empires, monarchs, and messiahs. Extraordinary episodes in the inner life of the founder of Anthroposophy, Rudolf Steiner, and his follower Walter Johannes Stein had allegedly occurred in its physical proximity in a Vienna museum. This access to the Time Spirit or the Akashic records seemed to provoke the telling of previously hidden or neglected historical tales from a new perspective.
Stein is the main protagonist of Spear. His psychic awakening, as Ravenscroft recounts it, began in earnest when he was studying the famous Grail romance
Parzival by Wolfram von Eschenbach. In a strange space between sleeping and waking, he found himself reciting words in the original old German dialect of its composition. Writing them down on waking, he was perplexed to discover their verbatim accuracy with the original text further on from where he had already read. This led him into a lifelong study of the Grail mysteries. A faculty of “Higher Memory” developed, whereby detailed visions of historical events unknown to him led to research that seemed to confirm their truth and unfold a coherent narrative. Being in the presence of the spear significantly moved the process along. Stein’s greatest achievement was his book
The Ninth Century, which connected events of that time with the later composition and contents of the Grail romances.
A major aspect of this uncovering of the hidden spiritual dimension of the historical process was the tracing of strands of reincarnational identities across the millennia. The most dramatic example concerns Steins belief that Hitler had been one Llandulf of Capua, a notorious necromancer based in ninth century Sicily who had allegedly provided the model for the wicked sorcerer Klingsor in
Parzival. According to Ravenscroft, Steiner and Stein also psychically picked up on hideous magical rites practised by Nazi occultists and tried to counteract them.
I cross-referenced what I’d read in
Spear with the data I was now gathering concerning the Meonia saga. A huge historical narrative was being unfolded. It involved a mixture of famous and obscure figures in a spiritual drama that was working towards some kind of contemporary culmination. It had a sense of contending forces and high stakes. The modern Meonia players were conspicuously different from Steiners’ Anthroposophical circle though. I didn’t quite imagine Walter Johannes Stein getting fifteen cans of Guinness down his neck before a session of writing
The Ninth Century. I rather think a jukebox might have disturbed Rudolf Steiners’ contemplations as well. What really blew my mind was realising that, in many ways, the Direct Information Psychism of the likes of Graham Phillips and Bernard was of a higher quality in terms of its minute historical details than what was recounted in
Spear. It also wasn’t as flavoured by religious and metaphysical beliefs. The strong reincarnational theme was largely absent. Details of the occult workings of the opposition were more informed with credible knowledge and not as lurid. I pondered the two powerful “transmissions” in
Spear and
The Green Stone and wondered what guiding intelligence determined why and when such details were ready to release? What factors were involved in the selection of the human vehicles for this process?